BSS Audio Soundweb London Training @ Dale Pro Audio
By special invitation, Sigmet Corporation is hosting a BSS Audio Soundweb London training course at Dale Pro Audio in New York City.
Class size is limited so please RSVP right away and make travel arrangements for what promises to be a terrific event.
There are two levels of instruction being offered - Level 1 and Level 2.
For more information on each class, including the dates and requirements, please click the following links:
BSS Audio Soundweb London Training Course Level 1 - Oct 23, 2012 - Oct 24, 2012
BSS Audio Soundweb London Training Course Level 2 - Oct 25, 2012 - Oct 26, 2012
For more information on The BSS Audio and Soundweb London, please contact us at firstname.lastname@example.org or call 888.462.7828.
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Community ENTASYS Line Array Loudspeaker System
The ENTASYS three-way, full-range column-line-array loudspeaker system delivers true line-array performance in a compact weather-resistant package. Designed for permanent installation applications including auditoriums, airports and train stations, conference centers, houses of worship, stadium concourses and museums.
ENTASYS offers high output and high power handling capability that outperforms comparable systems, boasting multiple low frequency, midrange and high frequency drivers for the most consistent coverage available, delivering a uniform, constant vertical beamwidth from 800 Hz to 16 kHz.
Each ENTASYS full-range column includes six low frequency neodymium drivers, eighteen 2.35-inch midrange drivers and six 7-inch long x 1-inch wide planar-coupled patent-pending Compact Ribbon Emulator (CRE) high frequency elements.
ENTASYS is designed to be modular, allowing the installer to use multiple ENTASYS full-range columns and low frequency extension columns to create extremely narrow focused vertical coverage previously only possible using powered, steered arrays. For additional low frequency extension, use Community’s VLF, VERIS, iBOX or SBS subwoofers.
For more information on Community, please contact us at email@example.com or call 888.462.7828.
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Sennheiser XS Wireless
Rugged, reliable and easy-to-use, XS Wireless delivers renowned Sennheiser sound to small venues, conference rooms or houses of worship.
An all-metal True Diversity receiver offers 960 tunable frequencies, with powerful scan and sync functions for up to 10 hours of trouble-free operation.
XS Wireless systems are available in five variants:
Presentation Set XSW 12: This system is ideal for presentation applications. The unobtrusive ME 2-2 clip-on microphone is virtually invisible.
Instrument Set XSW 72: This system is for connecting musical instruments (e.g. guitar) which have a 1⁄4” (6.3 mm) jack socket directly to the bodypack transmitter.
Vocal Set XSW 35 and Vocal Set XSW 65: These systems are ideal for vocal and speech applications and feature the SKM 35 (dynamic element) and SKM 65 (condenser element) handheld transmitters.
Headset Set XSW 52: The lightweight and comfortable headset system gives absolute freedom of movement for a more animated and impressive performance. High-quality microphone technology provides clear, brilliant sound.
The XS Wireless systems are available in two UHF frequency ranges with 960 frequencies per frequency range. Both frequency ranges offers 8 frequency banks with up to 12 channels each.
For more information on Sennheiser XS Wireless, please contact us at firstname.lastname@example.org or call 888.462.7828.
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Lewitt LCT 940 Large Diaphragm Condenser Microphone
LEWITT stands for cutting-edge, high-performance microphones designed to deliver unaltered, crystal clear sound and excel in a variety of demanding studio and live applications.
LEWITT has dedicated itself to supporting music aficionados, artists and audio engineers around the globe in getting the best out of every single creative idea and every project - with microphones that set new standards in terms of sound quality, technology and reliability.
LEWITT DTP 640 REX
Thanks to variably controlled dual element technology and finely tuned frequencies, LEWITT's flagship among drum microphones, the DTP 640 REX, offers unparalleled and balanced high quality sound that will delight professional drummers and sound engineers alike.
The DTP 640 REX is equipped with a high quality dynamic element and condenser element - the dynamic element ensures accurate reproduction of the bass drum kick, while the condenser element optimally captures the rich low frequency sound of the drum’s shell. In order to guarantee full control over the increase in sound of the two elements, they can be separately mixed on their own channels.
LEWITT LCT 840
LEWITT's LCT 840 is a premium-class externally polarized dual-diaphragm tube microphone designed to excel in a variety of demanding applications.
Equipped with a precision-engineered 1-inch capsule, the LCT 840 stands for exceptionally warm and classic, solid vintage sound. Perfectly suited for miking vocals and instruments, this rugged multi-purpose mic allows for highly nuanced and authentic sound reproduction in the studio and even on stage. Five switchable polar patterns - omni-directional, cardioid, figure-8, wide-cardioid and super-cardioid - make the LCT 840 a highly versatile tool for professional audio engineers and performers looking for true and authentic tube sound.
LEWITT MTP 540
LEWITT's MTP 540 DMs is a high-performance cardioid dynamic handheld microphone optimized for vocal applications, and it sets new standards of sound quality in both demanding studio recordings and onstage use.
The MTP 540 DMs and combines the advanced technological features so essential to memorable and authentic vocal reproduction, providing just the kind of performance you expect in a top-notch professional dynamic microphone: the elastic shock-mount system effectively cuts down handling noise, while a sophisticated built-in spherical wind and pop filter compliments specially tailored frequency response to ensure consistently crystal-clear output in any setting.
For more information on LEWITT, please contact us at email@example.com or call 888.462.7828.
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Apogee Symphony I/O
For more than two decades, Apogee has developed some of the finest pro audio technology, including the famous X-series and Rosetta series converters, the Big Ben master clock, the Trak2 mic preamps, and the Symphony PCI protocol. Now, they put all that experience into one amazing interface: the Symphony I/O.
You get to choose the I/O, so you can get up to 32 channels of jaw-dropping AD/DA conversion set up for any DAW, including native DAWs such as Logic, Cubase, and Ableton Live. Standalone operation even lets you use the Symphony I/O with proprietary systems such as Pro Tools.
Dale Pro Audio is proud to be an Apogee Symphony Premier Authorized Dealer.
For more information on Apogee, please contact us at firstname.lastname@example.org or call 888.462.7828.
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Radial Engineering Q3 EQ
The Radial Q3 is a spectacular sounding induction coil EQ that has been formatted to fit the popular 500 series format and the Radial Workhorse. It is designed to accentuate the character of a voice or instrument without introducing the artifacts and phase anomalies commonly associated with typical gyrator (resistor-capacitor) equalizer circuits.
The Q3 features four easy to use controls: top-end boost, mid-range cut, low frequency bass boost and gain make-up to offset the signal loss that occurs when using passive equalization. Each of the three EQ bands employs a 12 position Grayhill switch with a different preset curve at each position. These are carefully crafted to introduce subtle accents, huge hype and warm sounding cuts that will flatter and enthral. Each EQ setting is augmented with a miniature toggle switch that enables you to attenuate the curve for more subtle effects to deliver over 10,000 combinations of tonal bliss. And because presets are employed, it's easy to recreate favorite patches by setting the dials with 'easy to remember' 3-number combinations.
Adapted for use with the Radial Workhorse and older API Lunchbox racks, the Radial Q3 is plug-and-play easy to use. Simply feed it with a balanced line level signal and you are set to go. When connected to a Workhorse, the Omniport is assigned as an effects loop to allow various processing devices to be inserted into the EQ signal chain.
For more information on the Radial Engineering Q3, please contact us at email@example.com or call 888.462.7828.
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SoundTube WLL-TR-1p Wireless System
Designed to work with all SoundTube Speakers (as well as other brands), the WLL-TR-1p system enables the placement of speakers in locations where running wires may be difficult or impossible.
Utilizing uncompressed streaming digital audio over 2.4 GHz and requiring only AC power for operation, the SoundTube wireless system provides two 50 W channels of audio. The WLL-TR-1p is sold as a system and contains one WLL-TX1 transmitter and one WLL-RX1p receiver. Individual transmitter and receiver units may also be purchased.
For more information on SoundTube, please contact us at firstname.lastname@example.org or call 888.462.7828.
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Universal Remote Control Commercial Division
URC is a pioneer in Control Technology. Founded in 1991 and headquartered in Harrison, N.Y., URC has been setting the standard for simple, universal handheld controls with over 100 million customers worldwide.
Today, URC provides state-of-the-art remote controls and complete home control and automation systems to residential and commercial clients, including some of the world's most respected consumer electronics brands. An experienced leader in high-quality control design, engineering, manufacture and distribution, URC is widely regarded as an innovative controller manufacturer by consumers, subscription broadcast providers, retailers, custom installers and OEM partners.
URC has built its reputation by delivering exceptional levels of quality, training, reliability and support to its customers.
For more information on URC, please contact us at email@example.com or call 888.462.7828.
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Event 2030 & 20/20BAS Powered Reference Monitors
Event's monitoring pedigree needs no introduction. As the speaker family that made studio monitoring accessible to countless artists and engineers with the legendary 20/20, Event has become a staple in studios the world over.
Now the time has come to build upon this heritage, with the new 2030. Event's very first three-way studio monitoring system.
The 2030 is a category defining three-way studio monitoring system that combines three discrete drivers to allow for incredibly accurate reproduction of the entire audio spectrum.
The Event 2030 is a three-way studio monitoring system that provides unmatched performance in its class.
It combines three discrete drivers with precisely engineered acoustic design, signal processing and amplifier technology to provide an incredibly detailed and wide soundstage with a bass response that far exceeds what most would expect from a box this size.
With the new 2030, Event's engineers took the three-way concept to a new level, resulting in a class-defining speaker system with compelling audio performance and a physical embodiment that makes it ideal for use in near field applications.
A new wave guide assembly was designed to house the speaker's mid-range and high frequency drivers as well as optimise audio dispersion and power response characteristics.
For the critical mid-range application a 3.5-inch cone transducer was engineered using a pressed pulp and polypropylene cone, combined with an optimised magnetic circuit. The driver is loaded onto a shallow wave guide that results in increased sensitivity and output while generating very low distortion artefacts, giving the 2030 speaker system an incredibly defined, upfront vocal character.
Also from Event: The 20/20BAS - First released in 1995, the original 20/20 nearfield studio monitor revolutionised the recording industry and secured itself a place in the hearts of audio engineers the world over for its truthful reproduction and outstanding sonic character.
Now Event is proud to announce a new generation of clarity, transparency and definition with the release of the 20/20BAS. This two-way front ported speaker incorporates a number of fundamental improvements over the original model while remaining true to its tonal character and performance strengths.
Event's engineering team used ideas and technologies from its flagship Opal speaker in order to achieve performance in keeping with the company design philosophy of high output, low distortion and excellent dynamics.
For more information on Event, please contact us at firstname.lastname@example.org or call 888.462.7828.
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IsoAcoustics ISO-L8R155 Speaker Stands
Speakers are made to reproduce and recreate the original sound faithfully and accurately. But often, room placement is a compromise, with serious detrimental effects on the actual sound you hear.
IsoAcoustics understands this dilemma. That's why they've developed a patented technique of isolating the speaker from its environment, allowing true, unaltered sound to come through.
ISO-L8R155 speaker stands use patented techniques to allow the speaker to "float" in free space. It's the same principle used in million-dollar studios to isolate or "float" their control rooms, resulting in the elimination of energy transfer to the surrounding surfaces.
Isolators prevent the transfer of speaker cabinet energy to surrounding surfaces, effectively isolating the speaker from the desktop, bookshelf or other surface. By allowing the speaker to perform in free space, it's able to sound the way it was intended. The end result is an unaltered, accurate sound, true to the artist's original intention. The mixing and listening experience are enhanced.
The audio stand's performance is a function of the isolator's shape, material volume and durometer. The opening, internal taper and concave, void end results in a compliant element to contain the supporting tubes or rods. We found that when the isolator's opening is elongated and aligned with direction of the transducer's travel, the supporting tubes tend to move fore and aft, resisting lateral and secondary movements and oscillations.
As a speaker cone moves forward, its speaker enclosure tends to move back, as predicted by Newton's third law of reciprocating motion. ISO-L8R155 stands are designed to make the difference - their transducers, enclosure and upper stand section move in a direction sympathetic to the sound source. As a result, you hear a more "pure" sound, remarkably unaffected by the environment.
For more information on IsoAcoustics, please contact us at email@example.com or call 888.462.7828.
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Universal Audio's UAD-2 Quad Omni v6 DSP Accellerator Package
If you've been hearing good things about Universal Audio's UAD-2 Powered Plug-Ins and have been waiting for a good time to jump in... Here it is! From August 1st until September 28th, the Quad Omni v6 DSP Accelerator Package is on sale for $3999.00!
That's a $1000.00 discount on the PCIe Card or the Firewire Satellite with over 50 of Universal Audio's most sought after and realistic emulations of analog and digital hardware gems from Studer, Ampex, Helios, Neve, Lexicon 224, Roland RE-201 Space Echo, Moog, EMT and so many more!
It's a great add-on and less expensive way to add more DSP and Plug-ins for UA's superior sounding Apollo High Resolution Audio Interface.
For more information on Universal Audio, please contact us at firstname.lastname@example.org or call 888.462.7828.
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